The Dragonfly Biologist Falling in Love

The Dragonfly Biologist Falling in Love

by Dennis Camire

Because she thinks love, too,
Is threatened with slow extinction
Despite it’s like translucent wings,
Her slow rising to romance’s promise is
A dragonfly nymph crawling up reed stock
After five years of moon walking the bottom of a pond;

And she imagines his first tender strokes
As those first warm rays dissolving
The emerging nymph’s armored encasing
So the winged, inchoate fetus inside
Can birth from behind the cervix
Of those enormous Darth Vader eyes;

And when she’s tortured by thoughts
Of everything that could go wrong
She’s schooled to think of predatory birds
Circling after one swallow-swoon
Alerts them to the cad fly appetizers hatching
Over the fractured plates of lily pads;

But when she tempers his expectations
By explaining the years of underwater life
Prior to the dragonfly’s brief five weeks of flight,
His carpe diem nature overtakes
And she finds herself, on dates, netted
By his surprised embraces from behind.

Later, she acclimates to the strangers
Watching their playful foreplay
As though in frolicking they, too, shine
An aqua green or lupine blue.
And the day after they rise together
From his bed, may he follow her

To the remote bogs and ponds
To press the netted wings together
Before lifting the creature for measuring;
And may he marvel, like her, at the two
Pair of wings working in perfect unison
While the ten thousand lensed eyes

Are alert to everything for 360 degrees;
And when one–upon release–
Alights his shoulder, may he still,
Like a child playing One, Two, Three Red Light,
Move his eyes enough to see the way
She rests, transfixed, by his side, smiling

And unwilling, too, to move, or breathe, or speak
Whether it’s curiosity, exhaustion, or love
Keeping the mysterious dragonfly in their life.

From Combed by Crows, Deerbrook Editions 2017 

Find the link to the review of the book in Off Radar on the site page.

What I would Give Up

What I Would Give Up

I would give up all the words in the world
but not words that open doors
to unknown rooms.
I would give up all the rooms in the world
but not this room
where I heard music for the first time.
I would give up all the music in the world
but not this music that holds all the light
I have ever seen and all the light I have not.
I would give up all the light in the world
but not this light that makes me reach
for a pencil to write words.

 

by Joan I. Siegel from Archaeology, Deerbrook Editions 2017

Lucid Dreaming; a poem from Never Completely Awake

LUCID DREAMING by Martina Newberry

for Kate

Sometimes my dream life
is a euphoric slumgullion
of rock and roll and Milky Way
candy bars and 5-dollar-99-cent champagne.
I can’t find a place to recover
or the right role to play.

You’re so cool
and I have so many questions to ask you,
starting with
“How did you get so cool?
I’m wrapped up in countless failures.
I’ve got Spanglish in my ears
and Ebonics in my nostrils—

shouldn’t something brilliant
and memorable come from that?
I’ve fallen in and out of love
with myself a trillion times,
bought the vitamins,
played the jukeboxes,
lost my keys, dumped my quarters

at the Laundromat and still…and still…
I have eaten scrambled eggs
and cotton candy
and desktop computers
and felt-tipped pens
and straw hats
and bath towels.

I know some lyrics to some songs,
a line or two from some movies, still…
In the old days, I dreamed myself new
every month or so. Oblivion was far off
and I could show substance and testament
so earnest, it would make your teeth ache.
I dreamed myself with wings and webs of silver,

dreamed myself diaphanous, icy.

 

From Never Completely Awake, Deerbrook Editions, 2017

View a video poem by the author from this book

Archaeology, poems by Joan Siegel

This new title is available on the Deerbrook Editions Website

Archaeology cov grab

Archaeology excavates the past in exquisite language. Its focus is family: Siegel’s own family and families far ourtside her personal sphere. Mothers and daughters especially come under her perceptive eye, three generations often missing each other in passing, sitting in silence, but also knitting together to create a skein of connection. These are poems of longing, loss and celebration, for what else to do when losing someone, but “sit with her all night and sing”? Animals, domestic and wild, move through these poems, both as their own mystery as a metaphor. Siegel knows that stillness is necessary for transformation–“a chamber for one/ where you disolve and grow /wings.”  Though mostly serious and contemplative, she has moments of wry humanity and always “Peers at darkness through the bright eye of the world.”

                              —Mary Makofske, author of Traction and World Enough and Time.

Other praise for Joan’s poems

Siegel knows how to go for the small specific details that illuminate even the darkest subjects. —Maxine Kumin

The tactile, the visible and even the invisible become like avatars in Joan Siegel’s poems.
—Diane Wakoski