How does art inspire art, event/exhibit


L.R. Berger joins several artists and 3 other poets in exploring how art in one medium inspires work in another medium.

This question is interesting, and as most artists understand or appreciate, the possible outcomes enliven an essential creative culture, and there is plenty of evidence of this throughout art history.

As with an “ekphrastic poem” being inspired or stimulated by art, this creative inspiration can expand into or across other disciplines that can go beyond verbal description. What endures, hopefully, is an inherent sense of freedom dealing with ideas, having an abstract non representational quality, figuratively, surrealistically, and realistically, or as any imaginative, metaphorical form that stimulates or emotes.

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Brushstrokes and glances on recommended list


Djelloul Marbrook’s new book Brushstrokes and glances is on the Valparaiso Poetry Review list of Recommended Books: volume 12.

They are looking for reviewers. We hope someone would like to review this book.

Here is one of my favorites.

Review: Djelloul Marbrook’s Brushstrokes and glances

Teresa Giordano
December 8, 2010

I envy Djelloul Marbrook and I am grateful to him. I envy his ability to inhabit a painting, to leave a dark state of mind and enter a world that transcends our own sometimes frightening often banal world. I’m grateful that his talent and grace grant me access to that world through his book of poems Brushstrokes and glances. Art for Mr. Marbrook – particularly painting – is not merely a collection of objects to be admired. Art is a place that beckons; paintings are to be visited – as alive and dimensional as a mountaintop, a city street, or church or temple. As in those places we can order our lives in front of a great work, find meaning in brushstrokes. As he says in Picasso’s bull: We need a museum to show us/we can unbind our captive lives. Djelloul Marbrook’s triumph is not only that he can experience art the way most of us cannot it is also that he can articulate his vision and share it in this beautifully crafted book of poems. Brushstrokes and glances is an invitation to “lift the curse of containment” (see A naming spree). It is an invitation well worth accepting.

Review: Djelloul Marbrook’s Brushstrokes and glances


Review: Djelloul Marbrook’s Brushstrokes and glances

Teresa Giordano
December 8, 2010

I envy Djelloul Marbrook and I am grateful to him. I envy his ability to inhabit a painting, to leave a dark state of mind and enter a world that transcends our own sometimes frightening often banal world. I’m grateful that his talent and grace grant me access to that world through his book of poems Brushstrokes and glances. Art for Mr. Marbrook – particularly painting – is not merely a collection of objects to be admired. Art is a place that beckons; paintings are to be visited – as alive and dimensional as a mountaintop, a city street, or church or temple. As in those places we can order our lives in front of a great work, find meaning in brushstrokes. As he says in Picasso’s bull: We need a museum to show us/we can unbind our captive lives. Djelloul Marbrook’s triumph is not only that he can experience art the way most of us cannot it is also that he can articulate his vision and share it in this beautifully crafted book of poems. Brushstrokes and glances is an invitation to “lift the curse of containment” (see A naming spree). It is an invitation well worth accepting.

A thank you to Teresa Giordano for these words that speak to, at least for me, the metaphysical experience that is poetry and art; painting, writing, music; the creation and the receiving.